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supported by 9 fans who also own “Home”
This is undoubtedly my single favorite album of all time. It feels like such a perfect culmination of all the themes and ideas Fleet Foxes has been working with since 2008. It answers many of the questions found on both Helplessness Blues and Crack-Up, and represents an incredible maturation and growth in Robin Pecknold's perspective. Their other albums are certainly masterpieces, but this, in my opinion, is their magnum opus. I doubt it will be recognized as such in its time.
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supported by 7 fans who also own “Home”
it's such a beautiful album of grieving and loss and acceptance. it speaks to a particular kind of grief -- not a grieving of one who is lost, but the grieving for one who is still present and still causing pain. i love the last song most because while it could end in pain, or end with the narrators decision to permanently push this person out of their life and that would be justified, it doesn't. instead, it offers something. what is offered? acceptance. hope. and a chance for redemption
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supported by 6 fans who also own “Home”
Good music to think about better times and cry to. Love from Canada!
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featured on Bandcamp Radio Mar 26, 2024
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featured on Bandcamp Radio Mar 19, 2024
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Six and Forty-Six
by Riccardo La Foresta & James Ginzburg
Percussionist and sound artist Riccardo La Foresta joins musician and producer James Ginzburg for a fluid collaborative experiment.
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Appaloosa Bones
by Gregory Alan Isakov
supported by 6 fans who also own “Home”
In what many people who delve deeply in the GAI discography claim to be his ultimate and mature album yet, this track shows that he is still moving up and believes despite the master craftmanship of the entire album, that he has miles to go and I am willingly on that journey with him.
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